Gates Sta-Level (vintage, x2, modded and serviced by Retro Instruments) Shure Unidyne 545 (vintage, SM57 precursor)ĬBS Thompson Volumax 4111 Limiter (vintage, stereo)Įventide Omnipressor ( *currently out for repairs)įairchild 670 (vintage, tube city, stereo model) Tannoy FSM (dual concentric, 2x15' mains) Sony MCI JH24 24-Track 2' Tape Machine (Maintained by Charlie Bolois at VRS)ĭynAudio Acoustic BM15A (near-field) with BM14S Sub
Plugins: Full Suite from Universal Audio, Fabfilter, SoundToys 5, Antares Autotune 8, Melodyne, EventideĪmpex ATR-102 2-Track ½” Tape Machine (Maintained by Charlie Bolois at VRS, formerly owned by Jane's Addiction)Ītari MTR10 2 Track 1/4' Tape Machine (set up to be used for tape slapback)
Protools 11HD (Thunderbolt 2 connectivity, running on Mac Pro tower)Ģ x Universal Audio Apollo 16 Interfaces (32+ Inputs/Outputs, via Thunderbolt) Recapped in January of 2005 and maintained by Charlie Bolois at Vertigo Recording Services since 2006 (including ultra-sonic cleanse) Trident Triad A-Range (Early 1970’s vintage, 28 x input, 8 x bus, 24 x monitor)īelieved to be #3 of 13 total A-Range consoles that were built, used previously on recordings by Rush, The Police and Cat Stevens (and many more) before being purchased and installed at NMS by Elliott Smith
